Stabby piano chords sustain “The Days Of Our Lives”, which slowly builds on the verge of becoming something but never resolving. It becomes a mere introduction for “I Would Never”, a classic ballad with just the right amount of Buchanan ache. Those stabby chords return on “Broken Loves”, but work around a bass part to give it more shape. Wisely, the effect of the spoken part repeated by a sung one doesn’t continue through the whole thing. With excellent balance, “Because Of Toledo” returns to plaintive acoustic regret, tough it’s not clear what it was about Toledo (pronounced like the Ohio city, and not the Spanish one) that seemingly pushed him to rehab. And then it’s back to the edgier, upbeat portrait in “She Saw The World”.
The title track is another sumptuous piano ballad, with a hint of fake strings and just the right amount of fake percussion — in other words, quintessential Blue Nile. That makes “Soul Boy” something of a retreat to the last album, musically and lyrically (“no more fight and no more leave” hearkens back to “Family Life”) but it’s still effective. The way it slows to a halt suggests the end of the album, but “Everybody Else” gathers enough momentum to keep things rolling before “Stay Close” provides another subdued’ lengthy conclusion.
High doesn’t sustain its strength throughout the program; after all, there could never be another Hats, could there? Still, for those of us who weren’t expecting much, it contributed a wonderful next chapter in the Blue Nile story, and we knew enough not to expect anything else for a while. Insert sigh of satisfaction here.
The Blue Nile High (2004)—3½