These days it’s easy to see why, as the tunes weren’t exactly radio-friendly, and after an exhausting tour with Artie he wasn’t about to go back on the road. Even his voice sounds weary on these tracks. Plus, his never-ending quest for inspiration via non-traditional sounds meant an unfortunate reliance on the trends of the time. “When Numbers Get Serious” and “Cars Are Cars” would both benefit from less busy, non-contemporary arrangements. Neither version of “Think Too Much” is very appealing, though the one labeled “(b)”, which comes first is less irritating, its calypso arrangement notwithstanding, than the faster “(a)” take.
However, the good outweighs the bad here. “Allergies” has a vocoder-type effect and electronic handclaps that still complement the fretful lyrics, as does the high-speed guitar solo from Al DiMeola. The title track and “Train In The Distance” are both pretty, understated reflections on his then-current wife and his first wife, respectively, both delivered with universal sentiments that make them gems in the catalog. “Song About The Moon” is something of a grower, with a “Slip Slidin’ Away”-style lope and a simple lyric espousing simplicity. On the other hand, “Rene And Georgette Magritte With Their Dog After The Way” is supposed to be a cipher, stretching to connect the surreal painter with classic doo-wop combo references. It could go nowhere else on the album, so closing with “The Late Great Johnny Ace” (debuted two years earlier in Central Park) is not only reverent, but gains a mournful coda for strings with winds composed by Philip Glass, ending abruptly for optimal effect.
Ever since Hearts And Bones came out, fans have wondered how the songs would have sounded with Artie singing on them. (A few had been tried on their tour, but any Garfunkel contributions to the sessions were left aside during the final mix.) Much as we’d like to hear those for history’s sake, we’re just as interested in hearing stripped-down versions of the more trying songs. The eventual reissue included four bonus tracks along those lines; outside of “Shelter Of Your Arms”, which shares some lyrics with “When Numbers Get Serious”, the demos of “Train In The Distance” and “Rene And Georgette” sound pretty close to the final cuts, while “Johnny Ace” has a resolved ending on guitar. And it’s still a sad song.
Paul Simon Hearts And Bones (1983)—3
2004 CD reissue: same as 1983, plus 4 extra tracks