Beatle fans would be curious to hear “Never Tell Your Mother She’s Out Of Tune”, as it credits George Harrison (under a pseudonym) with guitar; good luck hearing it. Mostly it’s an upbeat soul song without much depth, and horns bringing to mind a high school pep rally. Much better is “Theme For An Imaginary Western”, later made famous in Mountain’s heavier version, but still sounding just as grand. “Tickets To Waterfalls” is driven by an elaborate piano and organ arrangement, but the “poetic” lyrics, matched by his typically over-reaching voice, make it tough to really enjoy. A little better again is “Weird Of Hermiston”, first tried for Disraeli Gears but making its debut here. “Rope Ladder To The Moon”, with its percussive acoustic guitar and cellos, brings to mind “As You Said” somewhat.
Side two starts much the same as side one, with “The Ministry Of Bag” offering boogie and not much else. “He The Richmond” extends the 12-bar blues format with a little more strumming. “Boston Ball Game 1967” is just plain odd, with two sets of dueling lyrics sung virtually simultaneously over increasingly atonal horns. Luckily it’s short, making the Tolkien homage “To Isengard” all the more welcome—at least until the song switches to freakout mode. “The Clearout” was another discarded Cream idea, and is much too busy for its own good.
One wants to like this album, but maybe Jack’s ideas weren’t going to have as much mass appeal as Cream’s other singer. If you’re looking for a companion to Blind Faith, Songs For A Tailor ain’t it.
Jack Bruce Songs For A Tailor (1969)—2