Musically, it runs the gamut from country and folk to rock and blues, with different keyboards helping to expose his early obsession with the Beatles. “Burned By The Moonlight” begins with a hint of the mariachi influence that colored his last album, but soon turns to a bluesy shuffle. “Get Out Of Brooklyn” provides both history and a contemporary portrait of the hip borough, complete with banjo. “Run To Me” has some swampy electric piano, leading into the acoustic Neil Young stylings of “Being Poor”. “So We Run”, which closes the album, is a psychedelic folk song in a variety of tempos and a wonderful open tuning.
Producer and veteran cowpunk Eric Ambel provides lead guitar all over the place, and the radiant Daria Grace offers her exquisite harmonies and bass guitar, but the big surprise is two appearances by Norah Jones, singing a duet on the grungy “Bad Wind Blowing” and joining in the responses for the classic title track, right up to the key change guaranteed to stand the hair on your neck. Lest anyone worry that he’s gone all serious on us, “Kanye West (I Hear That You’re The Best)” skewers that guy and many other media sensations, and should keep Jack from being invited to perform at any awards ceremonies anytime soon. Their loss, because “I Like You” is the kind of song any modern country singer can have a hit with just by sticking to his arrangement.
Everything I Say Is A Lie is short, at nine songs, but they’re all good. It’s a shame it’s over so quickly. Modern music industry shenanigans kept the album from general release for over two years; hopefully he’s written more in the meantime.
Jack Grace Everything I Say Is A Lie (2017)—4