Monday, January 30, 2012

Velvet Underground 8: Live MCMXCIII

Following Lou and John’s collaboration on the Andy Warhol tribute, one of the more improbable reunions occurred in 1993 when the original band, including Sterling Morrison and Maureen Tucker, got together for a tour. Unfortunately, it didn’t last long enough to make it out of Europe intact. (John blamed Lou, Lou blamed everyone else, and the other two had the class to keep their mouths shut about it all.)

Thankfully for those of us who missed out, their shows at L’Olympia in Paris were recorded by Lou’s team, and released later that year as a double-disc set (and a single disc distillation, also available in a limited edition covered in tiny peelable bananas). Their set pretty much stuck to the “hits”, with Cale taking the lead on two songs generally associated with Nico, as well as “I’m Waiting For The Man” and a giddy recitation of “The Gift”. Ever the professional, he even gamely learned the parts for the later songs they’d recorded without him. Maureen gets the spotlight for her two showpieces, to raves from the crowd, but the two new songs—the jokey “Velvet Nursery Rhyme” to introduce the band and the closing “Coyote”—don’t impress. In reflection of his career renaissance, Lou dominates Sterling on guitar, and peppers several of the songs with his more current vocal inflections. Still, the band sounded pretty good. “Hey Mr. Rain”, which hadn’t been played since they recorded in 1968, and had only resurfaced in 1986, gets a lengthy workout, beginning with nine minutes of Reed and Cale playing at each other, while Moe keeps the beat going like nobody else on the planet.

Live MCMXCIII also had a video counterpart, which is perhaps the best way to experience these four older, craggier figures interacting like jazz virtuosi. They’re very tight, if occasionally stiff, and we can be happy this particular moment was captured.

Sterling Morrison died two years later, and given Lou’s hamfisted control of the band’s legacy, as well as Cale and Maureen’s exasperation with him, the band was basically, finally over. But interest in the Velvets would continue to grow, just as it had in the ‘70s and ‘80s, and there would be more product to follow.

The Velvet Underground Live MCMXCIII (1993)—3

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