For a start, the guitar drives most of the proceedings, whether slide or wah-wah, layered where needed with different effects. When combined with straight piano, it brings to mind some of the high points of Beck-Ola; when it’s an electric piano, we’re reminded that this is Max Middleton. Bob Tench is still the singer, and gets the task of layering his own contributions in startling variations. (The female backup singers are uncredited.)
After the opening swamp boogie “Ice Cream Cakes”, covers dominate, from a boogie-flavored take on “Glad All Over” (the Carl Perkins tune, not the Dave Clark Five smash) that screams for Rod Stewart to the surprisingly soulful rejig of Dylan’s “Tonight I’ll Be Staying Here With You”. The producer didn’t play any guitar, but co-wrote “Sugar Cane” with Beck, which begins promisingly as an instrumental, but soon gains lyrics. However, “I Can’t Give Back The Love I Feel For You” is taken from a Motown torcher to a showcase for Beck with no vocals—and is that a Coral sitar?
Side two simply builds from there. Tench doesn’t do much outside the box on “Going Down”, letting the band plow through a powerful performance of a recent Freddie King hit. The Motown influence continues on “I Gotta Have A Song”, a recent Stevie Wonder album track and B-side, and another harbinger of music to come. “Highways” finds peaks and valleys in unexpected changes, taking several extended solos, while the gorgeous “Definitely Maybe” opens with twin slide leads in harmony, and follows Beck around the neck, frustratingly fading after only five minutes amid an electric piano solo.
Given its tempered emphasis on vocals, Jeff Beck Group is proof that the guitarist didn’t necessarily need a singer in his band, but apparently he wasn’t ready to go all instrumental yet. Nor was he completely thrilled with this incarnation, as he started over with a different rhythm section within months of the album’s release.
Jeff Beck Group Jeff Beck Group (1972)—3