The set begins promisingly enough with a spirited “Slow Train”, and a case could be made for the vocal performance on “I Want You”; in fact, Bob does sing, rather than shout, on this album. He mumbles most of “Gotta Serve Somebody”, but somehow manages to keep “Queen Jane Approximately” in pitch despite the Dead’s reputation. But there’s simply no reason for a full nine-minute version of “Joey”, “All Along The Watchtower” is energetic but ordinary, and “Knockin’ On Heaven’s Door” hardly rousing.
In fact, there’s little reason at all for Dylan & The Dead, except that it was easy money. The cover art is mildly inspired, but give or take some of the backing vocals and Jerry Garcia’s guitar, the band isn’t distinctive. That’s understandable, since they’re used here simply for hire, and not in the position to do any of the epic stretching they would do with their own material. What’s more frustrating is that even besides the other songs these guys played on this particular tour, the Dead, and particularly Garcia in his various solo and side bands, had been deconstructing and reinterpreting Dylan material for some time on their own. In time, vault excavations would explore the possibilities deeper. But this album, coming when it did, didn’t give Dylan fans much hope for the future.
Bob Dylan & The Grateful Dead Dylan & The Dead (1989)—2½
No comments:
Post a Comment