Naturally, it starts with an epic—in this case, “Once Upon A Time In The West”, conjuring not a single vision of cowboys, but leaning on more than a hint of reggae over a broken time signature. “News” opens on melancholy guitar figure, repeated under verses and leading into the tension of the bridges, reinforced by the simplicity and repetition in the lyrics. A similar effect drives “Where Do You Think You’re Going?”, but is given space to expand and rev up with a solo over the fade. The mood lifts somewhat with the title track, which doesn’t seem like much lyrically but keeps a rhythm going long enough to keep things moving.
Just as before, the single starts side two. “Lady Writer” is directly descended musically from “Sultans Of Swing”, complete with a variation of that same guitar solo. “Angel Of Mercy” and particularly “Portobello Belle” are very tender singalongs perfect for any pub or football match, but “Single Handed Sailor” overstays his welcome with a generally annoying riff. Virtually dominated by ocean sound effects and a lumbering groove, the overlong “Follow Me Home” is an oddly quiet conclusion. In fact, several seconds go by before you might realize that the album’s over, so you can either put something else on or listen to it again. (Probably the latter.)
Like most Dire Straits albums, Communiqué sounds good, thanks to the legendary team of Barry Beckett and Jerry Wexler, mere months before they brought Mark Knopfler in for Dylan’s Slow Train Coming. The variety of the music makes it an appealing mirror to the debut, so the future looked promising. On the pop charts, however, disco was still king, so the band was still considered a one-hit wonder.
Dire Straits Communiqué (1979)—3½
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