The earliest hint of what would be Scratch My Back came with his version of The Magnetic Fields’ “The Book Of Love”, recorded for a movie nobody saw, but soon became ubiquitous on TV soundtracks. From there he chose songs from established and newer artists, and gave each an impassioned vocal reading over stark arrangements.
By choosing from such a big pool, he risks blasphemy by screwing with songs people already know and love, but may also introduced the uninitiated to music they might have otherwise never heard. The “standards” arguably come first; “Heroes” takes the drums out of the Bowie song, leaving the strings to drive everything, while “Boy In The Bubble” is far removed from Paul Simon’s African groove. He’s about the 80th person to tackle Randy Newman’s “I Think It’s Going To Rain Today”, but interestingly redoes Neil Young’s “Philadelphia”, from the movie soundtrack to which he’d also contributed. However, his interest in deep catalog unearths lesser-known tracks, like Talking Heads’ “Listening Wind” and Lou Reed’s mega-obscure “The Power Of The Heart”. He can thank his kids for exposing him to bands like Elbow, Regina Spektor, Arcade Fire, and Bon Iver, and his takes make us almost want to explore the originals. (A so-called “special edition” added alternate versions of three songs, plus a version of the Kinks’ “Waterloo Sunset”.)
Scratch My Back was supposed to inspire a songwriters’ exchange called And I’ll Scratch Yours (get it?), wherein each of the artist Peter covered would in turn record a version of one of his songs. Not surprisingly, this was easier said than done; only six new recordings appeared, and as iTunes exclusives. Apparently, Radiohead were not pleased with his overhaul of their song. (A completed album, with a few substitutions, finally appeared in late 2013; oddly, it was the veteran performers, like David Byrne, Brian Eno, Lou Reed, and Paul Simon, who made his songs their own, while most of the younger artists stuck far too close to the originals to delivery any unique interpretations.) While his delivery throughout certainly displays his enthusiasm and devotion to this music, one ultimately wishes he could get the same inspiration from his own personal muse, and come up with something as simple and pure.
Peter Gabriel Scratch My Back (2010)—3
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