The Waterboys is pretty solid for a mostly one-man band effort recorded across different sessions. The trilling “December” is an unlikely Christmas song, so much so that it needn’t be limited to just one time of year. “A Girl Called Johnny” was the first single, sporting the distinctive sax of the even more distinctively named Anthony Thistlethwaite, fresh from Robyn Hitchcock sessions, and who would be the most consistent Waterboy through most of their career. “It Should Have Been You” is the most traditionally constructed song, if a bit overwrought vocally. “The Girl In The Swing” isn’t much, but its 6/8 time nicely matches the image of the title.
His piano playing is a lot more interesting than the plodding style from later albums, as demonstrated on the meandering yet mesmerizing “Gala”, which any other producer would have edited severely. From time to time the drum machine gets a little robotic, as on “The Three Day Man”, yet the one track with a full band, the pointedly defiant “I Will Not Follow”, not exactly a riposte to those Irish boys, sounds the most like vintage ‘80s. Speaking of which, “Savage Earth Heart” isn’t too far removed from Dublin either; while another long solo performance, one can hear the potential to sound bigger and better with a full band.
The Waterboys appeared in North America first as a five-song mini-album, before becoming standard worldwide with eight songs. With the rejigging of the catalog, it’s since been expanded with a few B-sides, unreleased tracks, and “Gala” extended to its full 9½-minute length. It remains an impressive debut.
The Waterboys The Waterboys (1983)—3
2002 CD remaster: same as 1983, plus 7 extra tracks
Excellent review! Your blending of informative context & historical content tempered with clear and accurate opinion is elevated by the nuance of your charming wit. Your namesake was misrepresented in 80's toilet tissue commercials Mr. Whipple. Bravo!
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