Tuesday, September 29, 2015

Frank Zappa 27: Orchestral Favorites

Throughout his lifetime, and towards the end of it, Zappa often went on at length about all the problems he had with “real” musicians, and how people in the classical field ignored him, ripped him off, or otherwise disrespected him. (Can’t imagine why they didn’t hit it off right away.) Insult added to injury anytime he financed an orchestral performance himself, paying for the copying, rehearsing and sundry. But that was usually the only way he could get the dots on the paper to be played.
The final album of music owed to his old label, Orchestral Favorites presents most of the rest of the material originally recorded in 1975 for a larger project, then siphoned off, re-edited and shelved. Timing being everything, it was seemingly rush-released in the wake of Sheik Yerbouti; those looking for more of the same humor would have been disappointed. Instead, they’d get a well-recorded representation of Zappa’s composing abilities.
As the title suggests, this is an orchestral album, with no vocals, which alone makes it an improvement on his last released orchestral experiment, 200 Motels, even repeating some themes. “Strictly Genteel” and “Bogus Pomp” bookend the set and take up the most space, striking a balance between grand themes and avant-garde expressionism. “Pedro’s Dowry” was written specifically for the project, and recalls elements of Lumpy Gravy and “Holiday In Berlin”. “Naval Aviation In Art?” is a brief, suspenseful violin piece, and the old standby “Duke Of Prunes” reappears with a ‘70s shuffle and overdubbed guitar solo.
Throughout Orchestral Favorites, horns and strings rub up against percussion, a standard drum kit, harmonicas, electric violins and electronic keyboards. Together, it provides an alternative to the standard menu of filthiness.

Frank Zappa Orchestral Favorites (1979)—3

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