Tuesday, September 26, 2017

Jethro Tull 12: Songs From The Wood

Perhaps taking the title of the previous album to heart, the next phase for Jethro Tull was to fully embrace the English folk music they’d hinted at all along. Songs From The Wood begins with such a statement of purpose in the title track, an immaculate a capella opening, the flute and acoustic come in, and before too long they’re competing for space with the drums and electric and keyboards and arrangement. So it still sounds like Tull, but the lyrics are now more pointedly derived from ancient texts and more older-sounding (at least) couplets.
That’s pretty much the M.O. for the rest of the album. You’d have to read the liner notes to know that “Jack-in-the-Green” is performed entirely by Ian Anderson, suggesting that maybe he didn’t need the band after all. (He also takes complete songwriting and production credit for the album, although lead guitarist Martin Barre and now-fulltime keyboardist David Palmer are mentioned for “additional material”.) “Cup Of Wonder” has some contemporary touches that must have sounded revolutionary for the time, but now place the album squarely in the second half of its decade. After a lengthy, tightly syncopated intro, “Hunting Girl” is a fable either full of double entendre or not, and just seems to take forever to resolve, unless you dig the playing. We will allow that it’s rather daring to include an original Yuletide song on an album released in February, but “Ring Out, Solstice Bells” is just that.
Much of side two runs together, unfortunately. After some pseudo-Switched-On Bach harpsichord, “Velvet Green” traipses around a renaissance fair, but at least adds some scenery changes. “The Whistler” was actually a single, and a favorite for a lot of fans, but they probably really like the flute too. Thankfully it’s brushed aside by the distorted guitar solo that begins “Pibroch (Cap In Hand)” all by itself, sounding closest to “classic” prog Tull. That goes on a while, and then “Fire At Midnight” seems to be a nice quiet ending, but it too gets worked up.
There’s no denying that Songs From The Wood was a good direction for the band to try, and it does have its appeal. But a little goes a long way, and a lot overdoes it. One’s enjoyment of the album, as ever, depends on your preferred dosage of Ian Anderson. (The deluxe anniversary upgrade offers the now-required 5.1 surround mix to highlight the original quad mix, along with two CDs’ worth of live recordings from the subsequent tour. And other stuff.)

Jethro Tull Songs From The Wood (1977)—3
2003 remastered CD: same as 1977, plus 2 extra tracks
2017 The Country Set Deluxe Edition: same as 1977, plus 30 extra tracks (and 2 DVDs)

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