“Mama” was a good choice for an introduction to the album, as its harsh sound dragged the band back from the pop sound people had begun to associate with them. (Another good sign: no horn sections anywhere.) That said, “That’s All” is fairly simple, both in execution and lyrics. The next two tracks form a suite that completes the side, just like the old days. “Home By The Sea” takes some time to absorb; apparently the repeated demands to “sit down” come from the ghosts occupying said home. “Second Home By The Sea” is a lazy title, but nicely pairs with its brother, bringing everything full circle in the last minute.
That’s a pretty decent album side, but the execrable “Illegal Alien” is up there with the worst songs the band has ever committed to posterity. At best it’s an accurate Men At Work pastiche, but even they had the taste not to go this politically incorrect. “Taking It All Too Hard” is a little better, back to Phil’s recently patented breakup lyrics. Around our way “Just A Job To Do” was an FM radio staple, a heavier track with good band interplay. One of the sneakier songs in their catalog, “Silver Rainbow” begins with a catalog of paradoxes, then moves into what seems like a cautionary lecture, until you realize he’s talking about the first time making out with a girl (“and a bear comes in the room” being a particularly red herring). Finally, “It’s Gonna Get Better” works around tricky time signatures and finds a suitable melody to deliver its uplifting message.
“Illegal Alien” aside, Genesis remains one of their better albums because the three of them were still playing like a band, contributing equally. We’ll go so far as to say it was their last good album, which says a lot, considering how busy they’d been up to this point.
Genesis Genesis (1983)—3½