Viva! Roxy Music was compiled predominantly from a couple shows from 1974, with two songs from a year before and another from a year after. The energy throughout is good, and consistent throughout. The transitions between songs from different tours are particularly seamless. Even the quieter tracks, like “Chance Meeting”, get to shine in the live setting, as even Glaswegian audiences hadn’t yet learned to be as disruptive as their American cousins. Fans of John Wetton will want to pay close attention, as he played bass on the 1974 tour, and his contributions stand out, particularly on “The Bogus Man” and the loud portion of “In Every Dream Home A Heartache”. Meanwhile, Sal Maida, later of the legendary Long Island power pop outfit Milk ‘N’ Cookies, features on bass for the 1973 tracks. And when the album ends, it just ends—no audience cheering, just silence.
The only real rarity on Viva! is “Pyjamarama”, a standalone single taken at a sluggish pace. Luckily, it was included at full speed, albeit remixed, on the following year’s Greatest Hits, alongside such usual suspects as “Virginia Plain”, “Love Is The Drug”, and “Do The Strand”. Granted, most of these were hits in the UK only, but that shouldn’t bother American fans. The tempo stays up all the way through “A Song For Europe”, and regains the pace for the last two tracks. Easily a good place to start, at least until the number of Roxy compilations would dwarf that of their studio albums.
Roxy Music Viva! Roxy Music (1976)—3½
Roxy Music Greatest Hits (1977)—3½
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