Speaking of Phil Seymour, he managed to get a solo deal with Boardwalk Records, the new label found by Neil Bogart after he had Casablanca taken away from him. Phil made two albums in succession, each with striking striped motifs (and the cover of Phil Seymour 2 was clever in its own way). The first had help from Bill Pitcock IV, and mixed originals, including the mild hit “Precious To Me”, with covers and contributions from Dwight Twilley and future Go-Go Kathy Valentine, while the second sported the first official release of Tom Petty’s “Surrender” and a remake of “Looking For The Magic”. Unfortunately, he just wasn’t a frontman.But for those who loved the two Dwight Twilley Band albums, they had to tide them over while Dwight waited out his own label woes. When Scuba Divers finally appeared after a two-year delay, his original intentions had been reworked, shuffled, and sometimes left out. Four other producers besides himself were credited. He’d only slightly updated his sound to meet new wave standards, yet the secret weapon was the harmonic gift of none other than Susan Cowsill. (Her brother John played drums too.)
In fact, “I’m Back Again” could allude to his enforced absence, but overall it’s another catchy chorus with Petty-reminiscent touches. “Somebody To Love” had been a teaser single three years earlier; here it’s been remixed and a verse was added, but it’s still terrific. A title like “10,000 American Scuba Divers Dancin’” doesn’t always bode well, but there’s a fun summertime vibe to the tune. “Touchin’ The Wind” has a relatively quiet beginning, but once those handclaps start, they don’t let up. The menacing riff of “Later That Night” just screams girl-group car crash homage, like a less wordy Jim Steinman.
But for the production and the cowbell, “I Think It’s That Girl” could almost be Beatlesque, and we really gotta call out Susan Cowsill again for what she adds to these songs. While it has a rolling piano out of Fleetwood Mac’s “Say You Love Me”, “Dion Baby” is a sneaky tribute to his newborn daughter. Moreover, the mix completely obscures the lyrics of “Cryin’ Over Me”, which sounds like a cousin to “Feeling In The Dark”, and “I Found The Magic” is something of a sequel to the superior “Looking For The Magic”. “Falling In Love Again” has a mild ‘50s sheen, taking to the next level by Steve Douglas’s blaring sax solo.
Despite the single and some MTV exposure, Scuba Divers didn’t blow up the charts. Perhaps people were already busy with Marshall Crenshaw. But he kept at it anyway. There’s a lot here to enjoy.
Dwight Twilley Scuba Divers (1982)—3
Susan Cowsill is one of the most underrated talents in music generally. She supported Twilley, but also Hootie and the Blowfish, Carlene Carter, Mike Zito, A Fragile Tomorrow, and Smithereens. Then she was a pivotal member of the excellent and criminally neglected Continental Drifters, and she's made two very fine solo records Just Believe It and Lighthouse. There's been two nice efforts from the reformed Cowsills in the last twenty years, and a fun record by The Psycho Sisters (Cowsill and Vickie Peterson). Her voice can be tender, but is also perhaps most effective as an instrument of angry sentiments. And she writes great songs.
ReplyDeleteThe Cowsills "Family Band" documentary was very revealing. I'm always learning! What a voice.
DeleteMy very favorite Twilley record, though I do prefer the original Arista single of "Somebody To Love," but that's a minor quibble.
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