Since he still had something of a cult following, they were likely very excited indeed when his next project turned out to be a Finn Brothers album. And rightfully so. Following the okay results of Woodface and Finn a decade earlier, Everyone Is Here wisely avoided the “two guys in a room” approach and instead incorporated studio musicians and actual producers (one of whom was Mitchell Froom, which wasn’t obvious from the sound, thankfully). It’s a straightforward pop album, without any real experimentations, if a little somber at times, but that’s okay too.
It comes off nice and strong from the start, with the close harmonies of “Won’t Give In” and the “don’t give up” message of “Nothing Wrong With You”. The album flows right along, with melodies that seem like they’ve been in the air forever; they’re that comfortable. “Luckiest Man Alive” is a little mawkish lyrically, but boy, is it catchy.The messages in the lyrics aren’t always clear, as in “Edible Flowers” and “All God’s Children”, but the more upbeat tracks, like “Part Of Me, Part Of You”, “Anything Can Happen”, and even “Homesick”, will stick in your head.
Everyone Is Here may have been a safe move, but it was also the most satisfying new album from Neil Finn in about ten years. Naturally, it didn’t dent too many American charts, despite a few songs being played on a few episodes of Scrubs. Because it was the style at the time, it was reissued only a few months later in a so-called “special edition” with a bonus DVD and extra tracks—some of which were relics from the original version of the album, produced by Tony Visconti and subsequently rejigged—and the boys faithfully toured to support it. However, any momentum built up was threatened that March, when Crowded House drummer Paul Hester took his own life.
The Finn Brothers Everyone Is Here (2004)—3
could'nt be more off the mark with this if you tried
ReplyDeleteThen it's a good thing I didn't try? Please elaborate.
ReplyDelete