The focus is back on straight rock, thankfully, with a little pop influence for the more romantic tracks. “Never Do That” is a nice jangly tune with catchy verse and chorus, except that it’s basically a straight rewrite of “Back On The Chain Gang”. The pleading “Let’s Make A Pact” keeps her vulnerability upfront, continuing from the softer side shown on the last album. Her hackles raise a little on the galloping “Millionaires”, proof that she shouldn’t yodel, and “May This Be Love” is another unnecessary cover of a more obscure Hendrix tune. “No Guarantee” provides some welcome kick, but all goes quiet again on “When Will I See You”, co-written with Johnny Marr, which only adds insult to the injury that he didn’t stick around to collaborate on the whole album.
“Sense Of Purpose” would be a hit single in a just world, just as the same world would have mixed out her over-excited interjections in the third verse and at the end. “Downtown (Akron)” gallops along with little to say, and the cod-reggae of “How Do I Miss You” comes too close to the Marr collaboration three tracks early. “Hold A Candle To This” revives some of the snottiness of the early albums, but “Criminal” goes back to being sensitive and wistful.
Even despite the cover design, Packed! more accurately described how full the boxes of returns were. The album was ignored upon release, despite its scattered qualities, though a couple of the songs would remain in her repertoire down the road. It’s recommended for being better than Get Close, but still lacks any real memorable hit.
Pretenders Packed! (1990)—3
I’ve always thought that this record doesn’t get enough love from Pretenders fans, even if it’s technically an album by “Pretender”. Thanks to Froom, it sounds far more like a Pretenders band album than “Get Close”, even though there’s no band. Froom piloted a major rebound from that album by putting the focus squarely back on multitracked electric guitars, with keyboards only adding a bit of color. While lacking the all-out power of Chris Thomas’s production on the first three albums, this one rocks. There are just plain fun rock songs like “Downtown”, “Millionaires”, and the rescued “Hold a Candle to This” (which would make it to the next tour) , as well as pleasant mid-tempo pop tunes and touching ballads. Good melodies, fine vocals (but that goes without saying). It’s consistently solid from start to finish. Sure, there aren’t any grabbers like “Mystery Achievement”, “Precious” or “Message of Love”, but it’s a winner for fans. However, without a band to back it up with a tour, the record fell out of sight very quickly. Unlike “Get Close” or some of her later work, it deserved better.
ReplyDelete