Tuesday, February 18, 2020

Grateful Dead 12: Mars Hotel

Throughout 1973 and 1974 the Dead kept busy both on and off stage, and soon enough had a batch of new songs for another studio album. From The Mars Hotel is a step up from the less-than-awesome Wake Of The Flood, helped by the inclusion of some ready-made Garcia/Hunter classics.

“U.S. Blues” kicks off the proceedings, and a good song for a country already excited for its bicentennial. “China Doll” revives some of the gothic mystery not heard since Aoxomoxoa, and Phil Lesh mostly rises to the occasion with the complex “Unbroken Chain”. (We say “mostly” because Donna Godchaux’s prominent vocals are mixed too high, and the synthesizer contributions from occasional auxiliary band member Ned Lagin can be a little distracting.) “Loose Lucy” is a bit of boogie sure to please crowds.

“Scarlet Begonias” is another good one, often mistitled “might as well try” and “rings on her fingers and bells on her shoes” based on the lyrics. (It also predicts an outfit one day called the Heart Of Gold Band.) Phil returns to the microphone for “Pride Of Cucamonga”, with pedal steel guitar from John McFee, then of Clover and later of the Doobie Brothers. Strangely, Bob Weir takes a back seat to Phil, contributing just one track. The lackluster “Money Money” stumbles through changing time signatures and even quotes the riff from Barrett Strong’s oft-covered “Money”. The best is truly saved for last: “Ship Of Fools” provides a wonderful commentary that could relate to the Nixon administration, today’s headlines, or anyone in a take-this-job-and-shove-it situation.

Even though Donna is given way too much room to wail from time to time, Mars Hotel is one of the better ‘70s Dead albums, and worth grabbing if you don’t want to get the entire catalog. The expanded CD is notable for including wonderful solo acoustic demos of both of Phil’s tunes, an early stab at “U.S. Blues” before the lyrics were settled, as well as the band’s only live performance of “Let It Rock”, which Jerry played often in his solo bands.

Grateful Dead From The Mars Hotel (1974)—
2006 expanded CD: same as 1974, plus 7 extra tracks

4 comments:

  1. Unbroken Chain is one of the best studio recordings they did.

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  2. I'm still recovering from the psychic nail bomb of Wake Of The Flood being described as "less than awesome".

    As soon as I'm off this IV drip I'm coming round to sort you out, Wardo!

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    Replies
    1. I was this close to referring to it as "Flake Of The Crud", as recounted to me by some actual Deadheads.

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