He’s also wise enough to ask notable guests to contribute. “Straight Down The Line” immediately conjures good memories of his first two solo albums, with help from guitarist Robert Randolph. The sultry “When The Night Was Young” and “The Right Mistake” feature the vocals of one Angela McLuskey. But the most prominent special guest is Eric Clapton, who sings and plays on half the album, even writing some, while Steve Winwood adds his trademark organ. Clapton is most prominent on “Fear Of Falling”, which sounds more like one of his own recent albums, and the instrumental “Madame X”, which is the track with the Reznor credit but hardly Nine Inch Nails. “Axman” name-checks various guitar slingers of days gone by, but the only guy Robbie trades licks with is Tom Morello of Rage Against The Machine.
Even without the neon-bright guest appearances, the songs are commendable, for the most part. “He Don’t Live Here No More” is full of mystery, but “This Is Where I Get Off” only scratches the surface about why he left The Band, mostly relying on clichés. “She’s Not Mine” might sink under a more syrupy arrangement, but here he lets his raspy voice do the talking, whereas “Won’t Be Back” is sufficiently heartbreaking. The title track had already appeared on a soundtrack for the vampire TV series True Blood, and is loaded with imagery and metaphors, with a teasing narrative a la “Somewhere Down The Crazy River”. The closing instrumental “Tango For Django” doesn’t sound much like a tango to these ears, but some of the atmospherics are nice.
Without a doubt, How To Become Clairvoyant is a very pleasant surprise, and certainly the true follow-up to the debut and Storyville. It’s a grower, and we like that.
Robbie Robertson How To Become Clairvoyant (2011)—3
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