Tuesday, December 28, 2021

Todd Rundgren 27: The Individualist

The second album credited to TR-i is still very much a Todd Rundgren solo project, in that he played and sang everything by himself, save the credited “choir”. The Individualist is more listenable in that it encompasses several genres; if you don’t like one song, move on to the next and see if that works.

Working once again completely by himself, editing wasn’t a priority, so most of the songs run well past five minutes. “Tables Will Turn” begins in solo sensitive mode, but once the drum machines kicks in you’re in for a long ride, not made any shorter when his Chuck D imitation re-surfaces for too many raps. “If Not Now, When” is an improvement, mostly because of all the guitars, both acoustic and distorted. But “Family Values” samples Vice President Dan Quayle, who’d been out of office for two years by that time, undermining his point. “The Ultimate Crime” is orchestrated (via computers, but still) for a nice counterpoint of style. It took several listens to “Espresso (All Jacked Up)” before we noticed it recycles melodies from “Breathless”. It’s the only song we know that combines a list of world cities with modes of coffee.

The title track offers something of a statement of positivity, but the faux Snoop Dogg delivery makes it seem like parody, and about as effective if, say, Paul Simon had tried the same approach. “Cast The First Stone” has a clever message built around a series of metaphors, bound to a suitably obnoxious goth-metal backing. You can feel “Beloved Infidel” coming in the air tonight, but its approach is a very welcome change of pace. “Temporary Sanity” bemoans the violent state of the world, buried under a highly catchy track—until the rap happens again. “Woman’s World” closes the album with straightforward guitar rock with synths, but the message is jumbled.

The Individualist is a tad more palatable than No World Order, so it’s preferred, but at this perspective, it hasn’t aged as well as some of his other one-man band efforts. Still, it was good to know he could still write a catchy tune, and not just for himself.

TR-i The Individualist (1995)—

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