So it’s surprising that it only took him half a century to find an outfit that just lets him wail. The Rides pairs him with young phenom Kenny Wayne Shepherd, with Barry Goldberg (who was on the Bloomfield side of the Super Session album) on keyboards and a rhythm section including Chris Layton, once of Stevie Ray Vaughan’s band, on drums. On Can’t Get Enough—co-produced by Jerry Harrison of Talking Heads, interestingly enough—Stills and Shepherd alternate vocals on mostly originals, but there are some surprising takes. Shepherd happily sneers his way through the Stooges’ “Search And Destroy”, but he’s not as convincing on Muddy Waters’ “Honey Bee”. Stills hasn’t been in the strongest voice for years, but he’s most animated on the loud take on his own “Word Game”. The title track is not the Bad Company song, and we’ve got mixed feelings about that, but “Rockin’ In The Free World” adds nothing to the original. Basically, the album is best when they just play (and when there are no backing vocalists).
Three years later, the same crew delivered Pierced Arrow, which picked up where they left off, only louder. “Virtual World” halves the pace, but it’s a duet in harmony, “By My Side” is a slow burner, also with good harmonies, and “Mr. Policeman” has a terrific swagger. All the tracks were original collaborations this time, with the exception of Willie Dixon “My Babe” and “I’ve Got To Use My Imagination”, which first appeared on Barry Goldberg’s 1973 eponymous album. The backing vocalists were different this time, and mixed lower, and Kim Wilson of the Fabulous Thunderbirds blows harp, most prominently on “Game On” and the lyrically inane “I Need Your Lovin’”. Again, the focus is on the musical interplay and of the two—as there haven’t been any further Rides albums—Pierced Arrow gets the edge.
The Rides Can’t Get Enough (2013)—3
The Rides Pierced Arrow (2016)—3
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