His bass was always a key part of Yes compositions, so one needn’t be concerned that the album would be overly dominated by the instrument. Also, his vocal support was also very much part of the band’s brand, so he sounds that much more familiar. Along with Bill Bruford and Patrick Moraz, his main collaborator on the album was one Andrew Pryce Jackman, a pre-Yes bandmate who’d gone on to a career in arranging and conducting. Being recorded when it was, each side is something of a suite, and flows accordingly.
The pipe organ from London’s St. Paul’s Cathedral drives much of the busy “Hold Out Your Hand” along with the bass. An orchestra comes in at the end for a sharp segue into “You By My Side”, a near power ballad for piano with a gravitas similar to that of Zappa’s “Strictly Genteel” until the flute comes in. His vocal blend is nicely constructed too. Another pastoral passage opens “Silently Falling”, with a wandering flute distracting from the verse until the drums come in. A fairly straight section gets more complicated meter-wise to set up a Moraz organ solo that builds to a frenzy before spiraling to stop. A moment of silence allows the piano and voice to come back in, slowly joined by drums and even a couple of stabs of guitar. At its core, it’s a simple motif, but moving.
A funky electric piano appeals to Bruford’s jazz tendencies for “Lucky Seven”, while Mel Collins (also formerly of King Crimson) gets to add saxophones to the groove, and yes, there’s plenty of bass. After the jam peters out, we have another pastoral passage for “Safe (Canon Song)” to grow on over fifteen minutes. Portions of this a very reminiscent of other Yes epics, in the melodies and syncopated pianos, but the orchestra dominates. It’s another track that spirals into a wall of sound as different instruments navigate the odd time signature. But like the best prog, it all comes together rather than sounding like a mess. After the final chord fades, the subdued bass solo provides a coda that somehow matches the pipe organ when we started.
For all its popularity among fans, Fish Out Of Water was ignored for much of the digital era. Unlike Steve Howe’s albums, it was not included in 1994’s Yes catalog revamp, only appearing a decade later on the Wounded Bird label (a home for similar castoffs), followed shortly by an expansion that included one bonus track plus DVD content. In time for what would have been his 70th birthday, it got a new mix by King Crimson’s Jakko Jakszyk, which was issued alongside a remaster of the original mix, plus bonus tracks in the form of single versions of two songs, and both sides of 1981’s “Run With The Fox” Xmas single with Alan White. (A limited edition added DVDs with the expected 5.1 mix and previously released content, plus vinyl versions of the album and singles.)
Chris Squire Fish Out Of Water (1975)—3
2018 Deluxe Edition: same as 1975, plus 9 extra tracks
Nice review of an album I only recently discovered.
ReplyDeleteGreat pickup on the album cover similarity with Entwistle.
ReplyDeleteWeird, isn't it?
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