The set begins with the version of “Leaves That Are Green” from his then-out-of-print solo album, moving through only a handful of tracks from the Simon & Garfunkel albums—possibly due to licensing—with the live take of “Kathy’s Song” for variety. A tentative demo of an unfinished “Bridge Over Troubled Water”, already sounding like he meant it for Art to sing, is included for petulant reasons. The classic rendition follows, as does a strange little spoken segment called “The Breakup”, wherein Art attempts to make a statement about their separation while Paul interrupts constantly from the control booth. This goes into the original “Hey, Schoolgirl” single from 1957, then “My Little Town” is the last we hear from Art before the chronology returns to the start of Paul’s actual solo career.
From there, it’s basically an expansion on Negotiations, with a lot of the same tunes, save a live version of “Still Crazy After All These Years” from 1991. The final disc has seven songs from Graceland, five from The Rhythm Of The Saints, and three from Concert In The Park. There is another bonus in the form of “Thelma”, an outtake from Rhythm Of The Saints that’s worth more than a cursory listen.
Certainly, the music contained on 1964/1993 is such a high quality, even if you had it already, that we can’t fault the content. It simply should have been something else entirely, and both he and his label would soon learn a harsh lesson on what consumers were willing to abide.
Paul Simon 1964/1993 (1993)—3½