Much like Hot Tuna seesawed between acoustic folk and electric blues, the album isn’t strictly one style or the other, but through the magic of digital, whether on a disc or streaming, one can change the sequence. Some of the instrumentals only count as holiday songs due to sleigh bells as percussion, but they work because the artists say they do. “Christmas Blues” and “You’re Still Standing” rely on distorted guitar to distract from the basic lyrics, but “The Christmas Rule” is a hilarious cautionary tale about why you shouldn’t use your fireplace on Christmas Eve. A very reverent reading of “Silent Night” is followed by “Holiday Marmalade”, which turns it into an extended 11-minute blues. “Baby Boy” is a traditional tune we suspect may have originated in the Caribbean, and a nice surprise. Just like the album itself.
Jorma Kaukonen Christmas (1996)—3
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