“Ruben And Cherise” is one of those character mythologies that Robert Hunter weaves so well, though we could do without the synth horns and guitar effects that sound like a warped steel drum. It’s also easy to sway too, despite the constant tempo changes. John Kahn is credited for the music on the calypso-flavored “Love In The Afternoon”, and it’s surprising that nobody pointed out the chord changes are identical to “Ship Of Fools”. “Palm Sunday” is a brief trifle, sunk by what sounds like a synthesized harmonica, while the title track starts with a decent groove and another screwy meter. We’d love to take that tinkly keyboard out of the mix.
Side two is just strange. First off, “Rhapsody In Red” is a celebration of music that just plain rocks, Jerry soloing from start to finish, whether he’s singing or not. Unfortunately, Donna is the only vocalist on her own “Rain”, which otherwise sports a smart chamber strings and horns arrangement behind the adult contemporary backing, the guitar sounding like ‘70s Traffic. She also leads the choral group on John Kahn’s “Down Home”, evoking a cowboy campfire. “Gomorrah” brings Jerry back to the microphone for a slow lope a la “Candyman” or “Sugaree”, more in line with classic Garcia-Hunter.
Deadheads find Cats Under The Stars to be an absolute treat, but they probably like Donna anytime and anywhere. While Jerry’s voice and guitar ring throughout, the uninitiated may find the album to be dated at best, and generally sub-par. (The bonus tracks on the expanded CD are mostly covers and aren’t very exciting—unless you want a 16-minute version of “Don’t Let Go”—although there is a rehearsal of “Down Home” without Donna and a lovely stripped-down take of “Palm Sunday”.)
Jerry Garcia Band Cats Under The Stars (1978)—2½
2004 expanded CD: same as 1978, plus 7 extra tracks
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