The band clearly did their homework, as many of the songs are in much lower keys than they were on the original records, but he’s still in good voice. “Sleep Song” hasn’t aged well, but “There’s Only One” gets a good response for the sax solos and choir. The second half drags a bit, mostly because Wild Tales wasn’t as good as Songs For Beginners, and even the band can’t save it, though Shane Fontayne does a nice job of copping David Lindley’s original licks. The Nixon soundbites in “Grave Concern” have been replaced by Trump rants, and that five-letter word makes it into some of the other songs where the opportunity rises.
Overall the performances are warm and cozy, but as an album they only underscore that the real excitement was likely best experienced in person. Yet we’re always happy to be reminded how good some of his stuff was, and still is.
Graham Nash Live: Songs For Beginners/Wild Tales (2022)—3
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