The third time was and is a charm for a lot of bands, and on Toys In The Attic, Aerosmith had definitely figured it out. They had the tunes, they had the chops, and they had a producer who got them, all of which backed up their attitude. The title track predicts speed metal, and even though there’s only one verse, one pre-chorus, and one chorus, each repeated twice and split up with a one-chord jam that serves as a middle eight, that’s all it needs. “Uncle Salty” is an early piece of social commentary, fifteen years before another song about Janie and a gun, that gets more heartbreaking with every listen. “Adam’s Apple” brings back the strut, giving Tyler’s wordplay plenty to lie on; we can probably credit him for coining the phrase “love at first bite”. But that’s nothing on “Walk This Way”, a motormouth showcase with an unstoppable riff and funky backbeat. In case you didn’t get the humor, “Big Ten Inch Record” shows their jump blues roots as well as their fascination with the Dr. Demento radio show. Even the horn section doesn’t get in the way.
It’s always good to start side two with a hook, and “Sweet Emotion” does just that with its extended intro that turns into a full-fledged riff and two-word chorus. The lyrics are as packed as anything on the album but a little obscure, while “No More No More” delivers more of it, already showing weariness at Life On The Road. It’s got an excellent build before the final chorus, and goes out on another glorious solo, and we’re not sure whose. If there’s a clunker on the album, that would be “Round And Round”, five minutes of sludge credited to Tyler and Whitford only redeemed but the one melodic deviation from the bludgeoning. All is forgiven for “You See Me Crying”, an orchestrated power ballad that comes just this close to being sappy but isn’t.
With two bona fide classics and enough deep cuts to justify the purchase, Toys In The Attic still delivers everything an Aerosmith fan could want. Even if you know the hits, they’re even better in context.
Aerosmith Toys In The Attic (1975)—4
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