Yet while the band’s auteur kept close to his vest, it was Tommy Stinson who made the most of the Mats’ legacy by picking up where they’d left off. He grabbed Steve Foley, the band’s last touring drummer, who conveniently had a brother who played bass. Tommy switched to guitar, recruited another six-stringer, and thus Bash & Pop was born.
Friday Night Is Killing Me shows just how much he learned following Paul Westerberg around for a decade. The songs fall into basic buckets; straightforward rock with clever lyrics (“Never Aim To Please”, “Tickled To Tears”, the title track, “Tiny Pieces”) and noisy stompers (“Hang Ups”, “Loose Ends”, “One More Time”, “Fast & Hard”, “He Means It”), all drawn up from Stones and Faces blueprints. Each side ends with a wistful acoustic strum (“Nothing”, “First Steps”) The overall sound is crisp and clean, following on from All Shook Down. And while Tommy doesn’t have the greatest voice either, he’s got charm and he’s having fun—something sorely lacking from the ‘Mats’ last days.
Two dozen years after the album came and went, it was reissued by the same label that had been busy curating the Big Star legacy. The obligatory bonus disc is loaded with demos and alternate versions, plus a few contemporary B-sides and strays, including “Making Me Sick” from the Clerks soundtrack. Perfect for the obsessives among us, but at the very least it gives the album another chance at exposure.
Bash & Pop Friday Night Is Killing Me (1993)—3½
2017 CD reissue: same as 1993, plus 18 extra tracks